LANDSCAPE +

Table of contents:





Action (Manuel Ruisánchez)




Aestheticity (Massimo Venturi Ferriolo)




Aesthetics (Massimo Venturi Ferriolo)




Animal urbanism (Lucien Kroll)




Architecture (Daniela Colafranceschi)




Artialisation (Alain Roger)




Atopical variations (Stefano Boeri)




Beauty (L. Andersson)




Biennial (Jordi Bellmunt)




Border (Piero Zanini)




Choreography (Lawrence Halprin)




Collage (Tom Porter)




Connections (Lawrence Halprin)




Cosmophany (Augustin Berque)




Culture (Massimo Venturi Ferriolo)




Cyberlandscape (Anne Cauquelin)




Deconstruction (Lucien Kroll)




Demolishing-Remolishing (Lucien Kroll)




Depredation (Manuel Ruisánchez)




Design (Marc Treib)






Digital (IaN+ Carmelo Baglivo and Luca Galofaro)






Ecology (Bart Lootsma)






Ecomonumentality (Iñaki Ábalos and Juan Herreros)






Emotion (Paolo Bürgi)






Energy (Michael Jakob)






Entity (Bernard Lassus)






Ephemeral (Daniela Colafranceschi)






Errantry (Francesco Careri)






Ethics (Stig L. Andersson)






Evocations (Philippe Poullaouec-Gonidec)






Exercise grounds (Jacques Simon)






Field (Manuel Gausa)






Fragility (María Goula)






Garden (Dieter Kienast)




Gaze (Massimo Venturi Ferriolo)




Geography (Enric Batlle)




Geometry (Bet Figueras)




Government (Domenico Luciani)




Green building (Walter Grondzik)




Greenolatry (Alain Roger)




Groundscape (Ilka and Andreas Ruby)




Happening-Defining (Massimo Venturi Ferriolo)




Heterodite (Bernard Lassus)




Hybridisation (Iñaki Ábalos)




Hypertext (Sébastien Marot)




Identity (Christophe Girot)




Images (Stefan Rotzler)




Indeterminacy (Gilles A. Tiberghien)




Information (James Wines)




Instability (Aaron Betsky)




Interaction (Manuel Gausa)


Interpretation (Shlomo Aronson)


Interscapes (Peter Lang)




Inventive analysis (Bernard Lassus)


Land Art (Udo Weilacher)


Landlinks (Manuel Gausa)


Landscape (Bernard Lassus)


Littoral (Jordi Bellmunt)


Mapping (Steve Bowkett)


Marks (João Nunes)


Matrix (Augustin Berque)


Memory (Imma Jansana)


Metaphors (Sébastien Marot)


Metropolis (Enric Batlle)


Minimalism (Christopher Bradley-Hole)


Modern (Joan Roig)


Mosaic (Richard T. T. Forman)


Motion (Gilles Clément)


Neglect (Shlomo Aronson)


New ecology (IaN+ Carmelo Baglivo and Luca Galofaro)


Observatory (Iñaki Ábalos)


Palimpsest (Michel Conan)


Park (Gianpiero Donin)


Parterre (Philippe Poullaouec-Gonidec)


Participation (Lawrence Halprin)


Picturesque (Iñaki Ábalos)


Place (Joaquim Español)


Planetary (Gilles Clément)


Playscape (Alberto Iacovoni)


Process (James Corner)


Public space (Wolf Prix)


Radical (Jane Amidon)


Reaction (Stefano Boeri)


Rehabilitation (Peter Latz)


Relationship (Franco Zagari)


Shape (Stig L. Andersson)




Signs (João Nunes)




Social ritual (Michel Conan)




Spatial device (Pierre Donadieu)




Sprawl (Aaron Betsky)




Suburbanism (Sébastien Marot)




Synthetic (Stan Allen and James Corner)


Systems (Franco Zagari)




Tactile scale-Visual scale (Bernard Lassus)




Theatre (Eugenio Turri)






Therapy (Stefan Rotzler)




Third landscape (Gilles Clément)




Time (Teresa Galí Izard)




Topomorphology (João Nunes)




Tourism (María Goula)




Tradition (Gilles A. Tiberghien)




Transurbance (Francesco Careri)




Visible-Invisible (Peter Walker)




Zonzo (Francesco Careri)

Landscape + 100 words to inhabit it is a title that intends to present a condition of contemporary landscape by measuring it through a direct and immediate form: terms, definitions, ideas, microstories, short texts, notes. It is a collection of instant snaps rather than a complete critical and theoretical look at the subject.



It is a group of terms asked for and formulated by authors that are not only architects and landscape architects, but also urbanists, philosophers, critics, poets, geographers and writers. It is a collection of reflections that underlie aesthetic and cultural categories as much as technical-professional values and practices. It is a Tower of Babel of meanings, each having its specific characteristics, which, far from exhausting all the issues of a particular point, propose 'listening' to it from various multifaceted standpoints.



These concepts do not guide this book towards a definition of landscape but towards a search for the most suitable instruments for dealing with it.